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Review: “Tracey Emin: A Second Life” at Tate Modern in London | Observer

“A Second Life,” mostly refers to what art has given her, and it’s possible that going through the exhibition, one could come to know her just as well as if one had met her in per…

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Review: Barry X Ball’s Secular and Sacred in “The Shape of Time” | Observer

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Review: “Louise Nevelson, Mrs. N’s Palace” at the Centre Pompidou-Metz | Observer

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One Fine Show: “Beyond Mysticism, The Modern Northwest” at the Seattle Art Museum

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London Gallery Weekend Charts the Coordinates of the British Art Scene | Observer

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