The U.S. Postal Service (USPS) issued a new stamp late last month honoring 19th-century writer Sarah Orne Jewett—putting a woman whose work centered on female independence and unconventional lives, into mailboxes and collection books across the country. The stamp, the 35th in USPS’ Literary Arts series, was unveiled in Jewett’s hometown of South Berwick, Maine. Its portrait of Jewett appears against the Maine coast, a reference to her best-known work, The Country of the Pointed Firs. USPS says renewed interest in Jewett’s writing has been driven partly by her strong female characters. In 2025, Ms. selected Abortion Stories: American Literature Before Roe v. Wade, edited by Karen Weingarten, as one of the most anticipated feminist books of the year. The published collection brings together literature documenting abortion before Roe v. Wade, including an excerpt from Jewett’s The Country of the Pointed Firs. Jewett never explicitly writes the word “abortion” in the published passage. Instead, one of the novel’s central characters, Mrs. Todd, is an herbalist who gathers plants and receives women who arrive privately at her door seeking remedies and whispered instructions. Weingarten said she included the passage because abortion exists in its subtext, reflecting a period when reproductive knowledge could be encoded in language about women’s networks of care. That history makes the timing of Jewett’s stamp particularly striking. More than four years after the Supreme Court overturned Roe v. Wade, abortion remains banned outright in 13 states, with additional states enforcing early gestational limits. Battles over reproductive healthcare continue at both the state and federal levels—from access to medication abortion, to funding for family-planning services. Jewett’s face is now traveling through a postal system caught up in that debate, across a country still contesting reproductive freedom. The stamp itself makes no claim about voting or reproductive rights. But there is something notable about a federal institution commemorating a woman whose work has become part of the literary history of abortion at the same moment reproductive autonomy is again being fiercely contested.