Liberated from its ludicrous libretto: how the magnificence of Oberon can be properly heard at last | Classical music | The Guardian
Full of panache and originality, Weber’s grand opera is the work of a composer at the height of his powers – but its plot is a load of nonsense. The conductor of its Proms premiere celebrates its brilliance
Ähnliche Seiten
Mentors, muses and new music: conductor and composer Ryan Wigglesworth | Classical music | The Guardian