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Garance review – Adèle Exarchopoulos gives it her all in ripe but flimsy portrait of alcohol addiction | Cannes film festival | The Guardian
Performer is as good as ever but her actor character is thinly conceived in a fundamentally implausible depiction of how to grapple with alcoholism
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I See Buildings Fall Like Lightning review – sweet, sad portrait of gen Z discontent and disillusion | Cannes film festival | The Guardian
https://www.theguardian.com/film/2026/may/20/i-see-buildings-fall-like-lightning-review-gen-z-clio-barnard-cannes-film-festivalBitter Christmas review – grief, loss and artistic betrayal in Almodóvar’s film within a film | Cannes film festival | The Guardian
https://www.theguardian.com/film/2026/may/19/bitter-christmas-review-almodovar-cannes-film-festivalSheep in the Box review – a bland, baffling tale of AI children from Hirokazu Kore-eda | Cannes film festival | The Guardian
https://www.theguardian.com/film/2026/may/20/sheep-in-the-box-review-a-bland-baffling-tale-of-ai-children-from-hirokazu-kore-edaThe Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama | Cannes film festival | The Guardian
https://www.theguardian.com/film/2026/may/20/the-man-i-love-review-rami-malek-ira-sachsHer Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness | Cannes film festival | The Guardian
https://www.theguardian.com/film/2026/may/19/her-private-hell-review-a-bizarre-shapeshifting-fantasia-nicolas-winding-refn